“What I want readers to get out of this is to create a moralistic story about espionage. I started to realize there is not a separation from G-d and the questions of morality. Where is the line between right and wrong? In the end, I wanted it as a story of forgiveness, to let go of anger. There is a need to learn to forgive in the face of extreme trauma.”

With WAREHOUSE, Hart seamlessly crosses genres from street level crime to speculative science-fiction. The reader is being fed the necessary exposition throughout the book as the story requires. The science fiction aspects of Cloud and the world outside our window that this story takes place in are fascinating, to be sure. But what really matters are the characters of Paxton and Zinnia. If the reader isn’t invested in their parallel journeys, then the journey doesn’t matter.